I spent a lovely spring morning immersed in nature, creating land art at the Santa Cruz Watershed Collaborative Spring Forum in the dry Tanque Verde Creek.
After morning introductions and a special water blessing by Chairman Nunez of the San Xavier District of the Tohono O'odham nation, forum participants (from various city and county departments and environmental organizations) broke into two groups: those participating in the riparian health assessment and those of us who wanted to play! That is, participate in a land art workshop.
The first thing our teacher, Kimi Eisele, did was reassure us that whether our not we identified as artists, we WERE all artists.
"There is a long history of land art in which artists (usually male) make giant, permanent works that alter the landscape or our perception of it. Many of these works are successful at helping us see aspects of the environment different," Kimi shared. "I think another land art can be any kind of play or 'making' in a landscape—with words, movement, sculpture, drawing. Such practices are, to me, a conversation with the landscape and a collaboration with Mama Earth, the greatest artist of all! Any 'works' made in the landscape can be large or small and are usually temporary, as are the processes of nature."
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Photo credit: Joaquin Murrieta Saldivar |
When the citizen scientists returned, they were invited on a tour of the "exhibit" where each of the artists shared the inspiration and meaning of their pieces.
Some pieces were interpretations of the river.
Lisa Townsend was inspired by the structures called "bowers" that male bowerbirds construct to attract females.
After the tour, we all gathered together to witness plein air painting and enjoy storytelling by Pascua Yaqui artist and Tribal Liaison with Pima County Public Health Department, Marcelino Clemente Flores.
While Marcelino continued to paint, Tucson Water Director John Kmiec, discussed their Recycled Water Project.
Kimi Eisele is a writer, multidisciplinary artist, and folklorist in Tucson, Arizona. Her work seeks to illuminate connections among humans, plants, non-human animals, and landscapes. She is the author of The Lightest Object in the Universe (Algonquin Books, 2019), and her writing has appeared in Guernica, Longreads, Orion, High Country News, Terrain, and others. She is of BorderLore, the online publication of the Southwest Folklife Alliance, where she works as a folklorist, documenting expressive culture and curating public programs honoring diverse cosmologies, occupations, and cultural practices. Her upcoming project, Landing Place, in collaboration with Maxie Adler, amplifies plant and animal species in the heritage stretch of the Santa Cruz River and will be installed May 10, Santa Cruz River Day.
kimieisele.com