I spent a lovely spring morning immersed in nature, creating land art at the
Santa Cruz Watershed Collaborative Spring Forum in the dry Tanque Verde Creek.
After morning introductions and a special water blessing by Chairman Nunez of the San Xavier District of the Tohono O'odham nation, forum participants (from various city and county departments and environmental organizations) broke into two groups: those participating in the riparian health assessment and those of us who wanted to play! That is, participate in a land art workshop.
So the citizen scientists set off...
The first thing our teacher, Kimi Eisele, did was reassure us that whether our not we identified as artists, we WERE all artists.
"There is a long history of land art in which artists (usually male) make giant, permanent works that alter the landscape or our perception of it. Many of these works are successful at helping us see aspects of the environment different," Kimi shared. "I think another land art can be any kind of play or 'making' in a landscape—with words, movement, sculpture, drawing. Such practices are, to me, a conversation with the landscape and a collaboration with Mama Earth, the greatest artist of all! Any 'works' made in the landscape can be large or small and are usually temporary, as are the processes of nature."
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Photo credit: Joaquin Murrieta Saldivar
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"At Santa Cruz Watershed Collaborative’s spring forum, my goal was to invite participants into an improvisational conversation with the Tanque Verde creek bed, to notice patterns, lines, shapes, textures, and colors and respond in an active, creative way."
Our exploration in land art began with observing nature by gathering three objects that caught our eye in the dry river bed. We learned to see them in a new way by arranging them and other objects on black paper.
We set off to explore, play and create "works" in the landscape large or small. I was blown away by the variety, creativity and thought that went into those works.
Mead Mier, co-lead of the SCWC collaborative, captured the moment, "I loved Kimi Eisele’s Land Art activity because it was a full sensory way to connect with Tanque Verde Creek and deepen my observations. I asked to team up with my friend and colleague Kimberly Baeza from Pima County when I saw her grabbing branches from a flood debris pile and she said they were just asking to be held back up again."
When the citizen scientists returned, they were invited on a tour of the "exhibit" where each of the artists shared the inspiration and meaning of their pieces.
"We were thinking... we wouldn't plan it all out strictly but adapt to where each piece was needed as we went. Some pieces were structural, others were back-up support, and others were the beauty that can be added on top of every step. I was compelled to add a medical herb that was one of the only lush understory around. Other plant fibers became functional by being warning flags on the branches that stuck out, beautiful colorful and textural chandelier-like components, and simultaneously symbolic of the love, time, and care we put into projects," explained Mead.
A flowerlike sculpture that was about how personal growth ripples out to affect others.
Some pieces were interpretations of the river.
Lisa Townsend was inspired by the structures called "bowers" that male bowerbirds construct to attract females.
This piece provided a cozy place for participants to lay down and gaze at nature's art above them - becoming part of the art.
Another piece invited participants to become part of the art by laying down to look through the Y-shaped branches that directed the view toward the trees.
After the tour, we all gathered together to witness plein air painting and enjoy storytelling by Pascua Yaqui artist and Tribal Liaison with Pima County Public Health Department,
Marcelino Clemente Flores.
While
Marcelino continued to paint, Tucson Water Director John Kmiec, discussed their Recycled Water Project.
I was really impressed how the organizers blended art and science for a memorable experience with place - inspiring us to work together to find innovative solutions for Santa Cruz Watershed Collaborative projects. Thanks to all the artists and citizen scientists for their contribution.
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Kimi Eisele is a writer, multidisciplinary artist, and folklorist in Tucson, Arizona. Her work seeks to illuminate connections among humans, plants, non-human animals, and landscapes. She is the author of The Lightest Object in the Universe (Algonquin Books, 2019), and her writing has appeared in Guernica, Longreads, Orion, High Country News, Terrain, and others. She is of BorderLore, the online publication of the Southwest Folklife Alliance, where she works as a folklorist, documenting expressive culture and curating public programs honoring diverse cosmologies, occupations, and cultural practices. Her upcoming project, Landing Place, in collaboration with Maxie Adler, amplifies plant and animal species in the heritage stretch of the Santa Cruz River and will be installed May 10, Santa Cruz River Day.
kimieisele.com
Information on the Advanced Water Purification System:
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